Termination Shock

A Novel

Hardcover, 896 pages

Published Nov. 15, 2021 by William Morrow.

ISBN:
978-0-06-302805-0
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4 stars (3 reviews)

Termination Shock takes readers on a thrilling, chilling visit to our not-too-distant future – a world in which the greenhouse effect has inexorably resulted in a whirling-dervish troposphere of superstorms, rising sea levels, global flooding, merciless heat waves, and virulent, deadly pandemics.

One man has a Big Idea for reversing global warming, a master plan perhaps best described as “elemental.” But will it work? And just as important, what are the consequences for the planet – and all of humanity – should it be applied?

Termination Shock sounds a clarion alarm, ponders potential solutions and dire risks, and wraps it all together in an exhilarating, witty, mind-expanding speculative adventure.

3 editions

Classic Stephenson

4 stars

Content warning Mild spoilers about some topics covered by the book

Beroketa globalaren aurka geoingeniaritza?

5 stars

Oso arriskutsua iruditzen zaidan gai baten inguruko eleberria da Termination shock: geoingeniaritza. Etorkizun nahiko hurbilean kokatua. Beroketa globalak okerrera egin du eta AEBetako aberats bat estratosferan sufre dioxidoa botatzen hasi nahian dabil. Hurrengo hilabeteetan tentsio geopolitikoak, jukutriak... izango dira nagusi.

Pertsonaia batzuk besteak baino gehiago gustatu zaizkit, eta zatiren bat luze xamarra egin zait, baina orokorrean 700 orri pasatxoko liburukotea interesgarria iruditu zait. Gauza batzuetan asmatuko duela uste dut, adibidez, spoiler handirik egiteko asmorik gabe, eskuin muturrak klima aldaketa ukatzetik geoingeniaritza babesterako jauzia emango duela.

Review of 'Termination Shock' on 'Goodreads'

2 stars

I wanted to like this more, because I was an early Stephenson fan from Zodiac days, and I still consider Diamond Age and Cryptonomicon to be masterful storytelling. But this? Almost insultingly silly character development, implausible relationships, and a strangely attenuated focus, given the backdrop of the most complex and unrelentingly global problem of our age. If Kim Stanley Robinson's approach to anthropocentric climate change tries to take too sweeping a view (at the expense of character development and human cultural complexity), here Stephenson suffers the opposite failing: too narrow a focus on the relationships around a particular technology, which reveals his increasingly stark limitations as a character-based storyteller. The one character he does manage to make compelling? Well, no spoilers, but I was shocked at the lazy (and infuriatingly bad) conclusion of that particular arc.